Reporter's Notebook

The art and science of the interview

Guts

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Maze

There are two ways to write a story.

One is to already know what you want to say and then look for quotes or soundbytes that you can drop into the spaces you’ve carved out ahead of time.  In essence, you know what you want the story to say and where you want it to go and you don’t really care where it could possibly go on its own. Maybe you do it because you’re pressed for time, or you don’t really care, or because you want to look like something you’re not.  Doing a story that way, , you’re kinda sorta censoring.  But for sure, you are a lazy SOB who coasts the low road and God help anyone who swallows your crap thinking you’ve done your due diligence.  God stop them from making an important choice based on the slop you feed them.

The other way is to start out by knowing nothing.  You study the subject, you ask questions from every possible perspective.  You talk to people who know what you don’t know and ask them to ask you questions.  You ask questions against your own biases, against the information you’re given, with the information you’re given and with your own biases.  And once it’s all in one place, on paper, in a hard drive, on a spreadsheet, you start making connections and relationships.  You build matrices, and mind maps and block diagrams.  And when you know as much as you can know in the time that you’ve had, you start to write.  And when you finish writing, you press the button and launch it.

That way of writing a story is harder, slower and full of more dead ends.  But, it’s more sincere because it goes where it is supposed to go.  You may suffer at the hands of its path, not your own but in the end, you and it end up somewhere much much better than you though every you’d be, sometimes to your own greatest surprise.

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Written by Interviewer

April 27, 2013 at 10:16

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